Get Up in the Cool
En podcast av Cameron DeWhitt - Onsdagar
Kategorier:
450 Avsnitt
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Episode 170: Mike Burns (Burns Violins)
Publicerades: 2019-11-27 -
Episode 169: Randi Leach (Likes Spooky Modal Tunes)
Publicerades: 2019-11-20 -
Episode 168: Alex Sturbaum (Transatlantic Trad Music)
Publicerades: 2019-11-13 -
Episode 167: Danielle Enblom (Traditional Irish Dance)
Publicerades: 2019-11-06 -
Episode 166: Sally Jablonsky and Friends (Live at the Centralia Campout 2019)
Publicerades: 2019-10-30 -
Episode 165: Libby Weitnauer (Live at Clifftop 2019)
Publicerades: 2019-10-23 -
Episode 164: Dan Levenson (Live at Centralia Campout 2019)
Publicerades: 2019-10-16 -
Episode 163: Laurel Premo (Live at Clifftop 2019)
Publicerades: 2019-10-09 -
Episode 162: Genevieve Koester (Live at the Old Town School of Folk Music)
Publicerades: 2019-10-02 -
Episode 161: Penka Jane Culevski (Suzuki, Star Trek, and Beating Up Satan)
Publicerades: 2019-09-25 -
Episode 160: Maggie Shar (Clawhammer Banjo)
Publicerades: 2019-09-18 -
Episode 159: Coral Nast (Takes an Old Time Fast)
Publicerades: 2019-09-11 -
Episode 158: Gray Buchanan (Contradancing in Heelys and Trad Dad Music)
Publicerades: 2019-09-04 -
Episode 157: Brian Lindsay (Contra Dances, Irish Fiddle, and Pop Country)
Publicerades: 2019-08-28 -
Episode 156: George Jackson (Tune Titles and Tall Poppies)
Publicerades: 2019-08-21 -
Episode 155: Becky Hill (Has a Dance Basket)
Publicerades: 2019-08-14 -
Episode 154: Ben Smith (Oldtime Central Can Take You Where You Want to Go)
Publicerades: 2019-08-07 -
Episode 153: Christine Williams (Fiddle Teacher)
Publicerades: 2019-07-31 -
Episode 152: Kris Stableford and Bruce Bauman (Live at Earful of Fiddle Music and Dance Camp 2019)
Publicerades: 2019-07-24 -
Episode 151: Micah Ling (Old Time Cello, Folklore, and Festival Dress)
Publicerades: 2019-07-17
Get Up in the Cool features conversations and musical collaborations with some of Old Time music's heaviest hitters, like Ken Perlman, Adam Hurt, Spencer & Rains, and Jake Blount. As an interviewer, Cameron balances an effusive curiosity for the potential of traditional music with a dogged respect for its origins. Serving as audience surrogate, Cameron asks illuminating questions to Old Time's best and brightest while telling the larger story of the tradition's modern era.
